
Fastnet Short Film Festival, Schull (Ireland) || 26.05.2019 Best Irish Film: DAY OUT, Virginia Gilber, Ireland Best International Film: FUCKING DRAMA, Michael Podogil, A Best Student: RECOVERY, Siofra Quinn Gates… Read More
Fastnet Short Film Festival, Schull (Ireland) || 26.05.2019 Best Irish Film: DAY OUT, Virginia Gilber, Ireland Best International Film: FUCKING DRAMA, Michael Podogil, A Best Student: RECOVERY, Siofra Quinn Gates… Read More
The synonymous usage of the terms “experimental film” and “avant-garde film” is a relatively recent phenomenon: In Germany, designating a work as “experimental” had a negative connotation for a long time. This is related to the situation whereby in the turbulent 1960s, influential writers such as Hans Magnus Enzensberger (Die Aporien der Avantgarde/The Aporia of the Avant-Garde, 1962) or Siegfried Kracauer (Theorie des Films/Theory of Film, 1964) demanded of art, and indeed in general, that it should not occur “remote from everyday life” either parallel to or outside society, but rather assume responsibility. Read More
People are viewing films and series on their smart phones. There, I’ve said it. It makes the eyes of cinema purists well up with tears of wrath, but a long underrated format is finally stepping into the limelight: The web series. Read More
For some weeks now, the French organisation 99.media, based in Lyon (F), has been recommending itself as a provider and distributor of short documentaries. The online platform has been in existence since 2015. The organisation is also the initiator of a one-day film festival of the same name, held in a café in Lyon. According to co-founder Jérôme Plan, however, it was only now, after there had been requests from film clubs for film copies, that the idea of offering films that had previously only been streamed online for screening in cinemas was born. Read More
crossing europe filmfestival, Linz (A) || 30.04.2019 Local Artist Sachpreis: FLEISCHWOCHEN, Joachim Iseni, A Innovative Award – Local Artist: ANIMISTICA, Nikki Schuster, A / D / Mex Creative Region… Read More
For the ninth time in a row, the French Centre national du cinéma et de l’image (CNC) has published a study on the situation of short film in France. The key questions were: What kind of short films are produced, how are they financed and what distribution channels do they benefit from? Read More
Festival international de films de femmes, Créteil (F) || 31.03.2019 Meilleur court métrage étranger: THE DIVINE WAY, Ilaria Di Carlo, D Meilleur court métrage français: LA BOUCLE, Vanda Braems, F… Read More
Two years ago, filmmakers, festival organisers and producers came together in January in Solothurn to found the Pro Short Swiss short film association. That August, a manifesto was released… Read More
In a tradition going back to 2008, we now present our annual review of award-winning short films over the past year. Listing the winners invariably results in a kind… Read More
Spengemann, Eichberg, Goldkamp, Hans – four names arranged in a circle appear at the end of the credits of several short films that were made in the context of the HFBK Hamburg (University of Fine Arts Hamburg) since 2014. The four filmmakers flippantly describe the logo, composed of their surnames, as a “sticker”: a sticker can be attached to a film, but should not infringe upon it in any way. Read More
Österreichischer Filmpreis (A) || 31.01.2019 Bester Kurzfilm: ENTSCHULDIGUNG, ICH SUCHE DEN TISCHTENNISRAUM UND MEINE FREUNDIN, Bernhard Wenger, A Robert Prisen || 31.01.2019 Årets kortfilm Fiktion / Animation: MAJA, Marijana… Read More
Lange Nacht des politischen Kurzfilms, Mainz (D) || 29.11.2018 1. Platz Fachjury: UM FILME PARA EHUANA (A FILM FOR EHUANA), Louise Botkay, BR 2. Platz Fachjury: VALEA JIULUI – NOTES,… Read More
“I’d like to create images that fuel the illusions of memory,” says the artist Robert Seidel (1), who positions his work between film and projection art. This conflicting field of… Read More
Short documentary, fiction and animated films work especially well in educational settings, and not just because of their lengths. They also have the potential to trigger off discussions and learning processes. But not all of them are suitable for this. Read More
»Cao Fei: A Hollow in a World Too Full« bis 09.12.18 im Tai Kwun Contemporary, Hong Kong Ullen Center for Contemporary Art präsentiert die erste Soloausstellung von Cao Fei in… Read More
When the new communication technologies – which we generally call social media today – were implemented into mobile phones about 10 years ago, resourceful nerds and cinema-loving fans came… Read More
At the end of October, the film submission platform Withoutabox announced that it would be ceasing operations by 30 October 2019. All obligations towards filmmakers and festivals are to have… Read More
The first two articles on the subject of film festivals focused on rip-off, pseudo festivals, as well as on a new type of festival being held in city-centre cinemas. The third part of the series is exploring the consequences of this development for the existing film and festival landscape, which is characterised by a deluge of films and a glut of festivals. Conclusions must be drawn from this that challenge all those involved to find new approaches: The filmmakers, festival organisers and cinema operators, as well as those on the film funding and support policy level. Read More
“I’m a fan of fast movies,” says Brenda Lien. She values aesthetic compositions that get to the point. Beauty videos and make-up tutorials, cat films and digital meditation sessions: Over… Read More
In 2016, “L’agence belge du court métrage” was founded in Brussels by filmmakers, producers and festival organisers. Its initiators, who manage the agency today, include Pascal Hologne and Anne-Françoise… Read More
Festival Internacional de Cine de Monterrey FICMTY (Mex) || 30.08.2018 Mejor Cortometraje Internacional de Ficción: CASTING, Katarzyna Iskra, PL Mejor Cortometraje Internacional de Animación: FOX BOY, Do-Yeon Tak, Republik Korea… Read More
Durban International Film Festival (ZA) || 29.07.2018 Best South African Short Film: STILLBORN, Jahmil X. T. Qubeka, ZA Best African Short Film: AYA, Moufida Fedhila, Tunesia Best Short Film: LA… Read More
The platform Patreon was founded in 2013 by Sam Yam (formerly of AdWhirl) and the musician Jack Conte. Conte’s personal motivation was dissatisfaction with changes at YouTube. Despite millions of… Read More
The first part of the research focused on scam festival calls for entries, as well as on pseudo festivals that are held beyond the public sphere. In connection with… Read More
Lina Sieckmann and Miriam Gossing have known each other since their youth, having both grown up in the same small town and studied at The Academy of Media Arts Cologne (KHM). Still, it took years until they became a team in terms of their artistic endeavours. Read More
Busan International Short Film Festival (South Korea) || 30.04.2018 Grand Prix: SCAR, Choi Jungyeon, Republik Korea Excellence Award: SEMI-BASEMENT, Min Hyunki, Republik Korea Cinephile Award: SCAR, Choi Jungyeon, Republik Korea… Read More
In 2005, that is, before the launch of YouTube, various departments at the BBC founded the BBC Film Network online platform to enable short-film makers to present themselves and their… Read More
While the controversial obligation to incorporate upload filters is still being discussed at the European level and is not off the table yet, the largest platform for online videos, YouTube,… Read More
Vilnius International Film Festival “Kino Pavasaris” (LT) || 29.03.2018 Award of the Short Film Competition: PIRTIS (BY THE POOL), Laurynas Bareisa, LT Audience Award: MADRE, Rodrigo Sorogoyen, ES Annual Ann… Read More
A thirtieth birthday is a highlight and a crisis to the same extent, as Ingeborg Bachmann said in her short story “The Thirtieth Year”, the first sentence of which we considered prefixing as a title to this piece. The second sentence reads as follows: “Yet he himself, although he wasn’t able to discover any changes in himself, has become uncertain.” The future may indeed be even greater and vaster than the past, but the course of what is to come is slowly being set now. Read More