In June, the Independent Cinema Office launched a short film tour called “The Camera Is Ours,” featuring films by pioneering British women from the 1930s to the 1960s. The films… Read More
The Italian Short Film Center, in collaboration with the Italian Ministry of Foreign Affairs, is releasing ten short films that can be distributed free of charge for cinema… Read More
One of the many recent upheavals in the film and festival world, in this case caused or presumably accelerated by the pandemic, involves the expansion of festival activities beyond the… Read More
At the beginning of the pandemic, when cinemas everywhere were completely closed, film festivals only had the choice between canceling or going online. Since the relaxations for cinemas, i.e. in… Read More
YouTubern from Westhampton (Long Island, NY) succeeded in conquering the American box office charts with a short film and for one day became the No. 1 in national sales…. Read More
Around the year 2000 the former Big Six, now Big Five after the merger of Disney and Fox, the six big Hollywood film studios, released more than 200 movies a… Read More
Today at the Odense Film Festival in Denmark is the so-called “OFF-Dag”, a day on on which the festival broadcasts short film programmes and a television programme live in cinemas… Read More
For the ninth time in a row, the French Centre national du cinéma et de l’image (CNC) has published a study on the situation of short film in France. The key questions were: What kind of short films are produced, how are they financed and what distribution channels do they benefit from? Read More
Short films will be shown on over 300 screens in Germany on 21.12.2018. From the North Sea island of Spiekeroog to Constance on Lake Constance there will be events –… Read More
When the new communication technologies – which we generally call social media today – were implemented into mobile phones about 10 years ago, resourceful nerds and cinema-loving fans came… Read More
The first two articles on the subject of film festivals focused on rip-off, pseudo festivals, as well as on a new type of festival being held in city-centre cinemas. The third part of the series is exploring the consequences of this development for the existing film and festival landscape, which is characterised by a deluge of films and a glut of festivals. Conclusions must be drawn from this that challenge all those involved to find new approaches: The filmmakers, festival organisers and cinema operators, as well as those on the film funding and support policy level. Read More
The first part of the research focused on scam festival calls for entries, as well as on pseudo festivals that are held beyond the public sphere. In connection with… Read More
Programmers and curators both exist in the cinema sector. However, for the majority of movie theatres it is not necessary to draw a terminological distinction between the two activities, as the programme of a normal commercial cinema is determined according to economic criteria in accordance with market forces and not on the basis of other considerations regarding content. In first run cinemas, the selection is limited a priori to those film releases that are offered by the distributors. Within this framework there is some room for individual decisions regarding quality. Read More