“Are you afraid you’re not actually here,” asks a resounding voice in Gudrun Krebitz’s latest work “Echodrome” as the water ripples and splashes. There it is again – the ‘you’. A hallmark of Krebitz, a word that is at times a dialogic reassurance of the self, often addressing some metaphorical counterpart, or mostly directed at the potential audience. Read More
“What’s your name, where do you come from? Thanks for being here.” During the storyboard exhibition at the Kosovan Anibar Animation Festival, the volunteers eagerly seek out human contact… Read More
Enraptured, the two-legged creature picks the blissfully smiling axolotl up from the earth and pops it in its mouth. Sheer joy. Doing so, its hands – filigree stick-puppet hands – initially reach out tentatively then greedily for the tasty stop-motion being. In Jonatan Schwenk’s ZOON, over and again we encounter so many nuances and animation techniques, all at the same time. Read More