The Secret Film History of Argentina
The synonymous usage of the terms “experimental film” and “avant-garde film” is a relatively recent phenomenon: In Germany, designating a work as “experimental” had a negative connotation for a long time. This is related to the situation whereby in the turbulent 1960s, influential writers such as Hans Magnus Enzensberger (Die Aporien der Avantgarde/The Aporia of the Avant-Garde, 1962) or Siegfried Kracauer (Theorie des Films/Theory of Film, 1964) demanded of art, and indeed in general, that it should not occur “remote from everyday life” either parallel to or outside society, but rather assume responsibility. Read More