Just the first few seconds of this film are enough to create an all-pervading sense of oppression that predominates for the next 15 minutes. “Berlin Metanoia” is a dark, almost (hellishly) dreamlike trip into the innermost realms of a city that loves to market itself as young and cool, but which has lost its soul somewhere between hipsterism, tourist onslaughts and hype. In his latest short fiction film, which celebrated its premiere at the 2016 Berlinale, Erik Schmitt approaches the latent psychotic Berliner identity with an intensity that continues to reverberate for a long time afterwards. Read More
Portrait
Lukas Marxt’s films need a special type of audience
Lukas Marxt wasn’t particularly surprised when Adam Hyman of the LA Film Forum told the audience at the Goethe Institute Los Angeles they need not worry about the narrative of… Read More
Kyne Uhlig and Nikolaus Hillebrand – Digital isn’t always better
The films by Kyne Uhlig and Nikolaus Hillebrand are full of things that you would usually find in the kitchen or a closet. Gherkins march in step, spoons develop a dubious life of their own and lonely socks desperately search for their better halves. The filmmakers, who live and work together in Cologne and go by the name of “niky-Bilder”, prefer to use everyday as well as lost-and-found objects and breathe new life into them for their animated films – and that’s especially practical considering that they live right next door to their studio, making it easier to, whenever the need arises, place the contents of their domestic cupboards in the spotlight. Read More
The eye is idle, but not lazy
“Der Tag des Malers” (The Day of the Painter), Werner Nekes’ (almost) unknown masterpiece
When Werner Nekes died on January 22nd, 2017 the film world not only lost an artist but a scholar too. Just as there are painters simply in love with colour… Read More
Vika Kirchenbauer in 12,000 Characters
The artist Vika Kirchenbauer engages in something that is probably rather akin to the idea of critical art – including all the obtrusiveness and potential inherent in such a concept…. Read More
Matthias Wermke and Mischa Leinkauf
In response to the question of how best to call the art made by Matthias Wermke and Mischa Leinkauf, after a lengthy discussion both reply: sculpture. (In German, the word for sculpture is Bildhauerei, which literally translates as “image-hewing”). While not meant entirely seriously, it sounds funny and nails it surprisingly well. Firstly, the description contains the kind of dry humour that is quintessential to the Berlin artist-duo’s work. Read More
Jan Soldat
When writing about the depiction of pain in the world, Susan Sontag once spoke about “regarding”. In “Regarding the Pain of Others”, she focused thematically on reactions to images, the responsibility when seeing, as well as on philosophical positions on a realpolitik geographical map. Read More
Ute Aurand
Her films possess a particular consistency: They are comprised of light and colour, even when black/white. The camera feels surfaces and allows us to share in their texture and materiality, take pleasure in them, perceive them differently. Read More
Izabela Plucińska
Izabela Plucińska uses modelling clay to create detailed worlds that are as magical in appearance as they are down-to-earth. Worlds that come alive on the big screen in short animated… Read More
Till Nowak
Ein kauziger alter Mann steht auf dem Balkon. Die Aussicht ist trist, der Rauch unzähliger Fabrikschlote verdunkelt den Himmel. Fürsorglich wässert der Mann eine einzelne Blume, die in einem rostigen Kasten den schlechten Bedingungen trotzt. Read More
Susann Maria Hempel
Alltägliche Szenen des menschlichen Zusammenlebens surreal inszeniert, fast schon eine Art performative Installation zwischen Traum und Wirklichkeit – so wirken die aneinander gereihten bizarren Sequenzen in Susann Maria Hempels Film WIE IST DIE WELT SO STILLE (2012). Read More
Mariola Brillowska
Critical wanderer between artistic worlds She added it all up once. Reduced her artistic work to a simple sum of minutes of film produced. It came to just twenty minutes… Read More
Marion Pfaus
The (Un-)Mistakable Marion Pfaus likes to play with different identities. On her website, the Berliner by choice coyly asserts that she is constantly being mistaken for someone else. Indeed, for… Read More
Gruppe Weimar
Short films for kids Children watch too much television. Ten-year-olds sit in front of the box for an average of over 100 minutes a day. Everyone agrees that escalating television… Read More
Studio Filmbilder
On the art of creative equilibrium There’s a simple rule in the animated film business: if you want to live from animated film, you have to master the balancing act… Read More
Bjørn Melhus
THE BEST OF BOTH WORLDS – Bjørn Melhus doesn’t want to be forced to decide between Black Box and White Cube Bjørn Melhus is one of Germany’s best-known short-film makers… Read More
Lola Randl
The Grass Is Always Greener on the Other Side Elke and Iris are old friends who have lost track of each other somewhat over the years. Both are fast approaching… Read More
Jörn Staeger
Films from the depths of the subconscious Pale green water washes over the camera lens, forming bubbles as it subsides. The lens seems to gasp for air several times before… Read More
Jan Peters
Pursuing the Accidental Storyline Jan Peters is a central figure on the German Super 8 film scene – even though, unlike many other cine-film enthusiasts, he is no purist when… Read More
Daniel Nocke
Daniel Nocke is something of a rare bird on the German short film scene. Born in Hamburg, Nocke has made a name for himself in the last ten years both… Read More
Dagie Brundert
Life and films in the Super 8 parallel universe Super 8 filmmaker Dagie Brundert was born in 1962 in Ostwestfalen, studied visual communication and experimental filmmaking in Krefeld and Berlin… Read More
Veit Helmer
Veit Helmer is one of the few German filmmakers who, as a wanderer between the genres, is able to cross what are regarded as the hermetically sealed boundaries between the… Read More
Joerg Wagner
After focusing in past editions of our Filmmaker Portrait primarily on artistic achievements, today we would like to introduce Germany’s most commercially successful short-film maker, Jörg Wagner. With STAPLERFAHRER KLAUS… Read More
Carolin Schmitz
In choosing the film BENIDORM as winner of the German Short Film Award 2006, the jury recognized the work of a filmmaker who has managed to make an impression with… Read More
Stephan-Flint Müller
Films to chase away boredom: Stephan-Flint Müller «Fliegenpflicht f«r Quadratk«pfe« («Bow Tie Duty for Squareheads«) was without question one of the most popular and successful German short films of recent… Read More
Matthias Müller
If one were to list filmmakers whose short films have been much in evidence at festivals during the last few years, there is one name that would fall frequently: Matthias… Read More
Jochen Kuhn
If one can speak of Germany as having its own “short film establishment”, then Jochen Kuhn is by all means a charter member. He has been active as a film… Read More